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Hearts of Space #700 Electronic Meditation (6-25-2004)

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 							Electronic Ambient - Instrumental - German Artists
  
  
  "the 70s roots of German electronic
spacemusic"
  This is another special program by Hearts of Space Radio Station, which aired on the
700th anniversary of their program. Unlike many of the Hearts of Space programs, which feature native Americans,
or other world ambient artists, this program is focused on the works of German artists and groups who achieved a
paradigm shift in popular music styles when they introduced the use of synthesizers and other electronic media into
their music, in a big way. Some of the big artist names in this collection include Tangerine Dream and Kraftwerk, among
others.
  
  Program Notes by Stephen Hill, Producer
  This
week we celebrate another milestone in the HEARTS of SPACE series with Program Number 700. Since we began
national syndication in 1983, we've used these centenary programs for special features and documentaries about space and
contemplative music. On program 600, we told the story of "how space met rock" in England in the 1970s. This time, we
look at the rise of electronic music in Germany during the same period. 
  
  It began, as it generally does,
with young men dreaming of a career in popular music. Combine this with the German genius for technology and you have
the makings of something new. And that's what happened in 1967 when an electric guitarist named EDGAR FROESE founded one
of the seminal bands in the German story, a group that would later create a new kind of electronic music, and was
allegedly named after a then-popular brand of LSD: TANGERINE DREAM. 
  
  They emerged from the raucous
experimental Berlin rock scene into something deeper, more creative, and more unfamiliar — a drifting,
improvised, space-creating sound, heavily dependent on electronics. From 30 years' perspective, we can see this as a
particularly 20th century form of contemplative, ambient sound. But at the time, it sounded original and totally
revolutionary. 
  
  As most bands do, the original TANGERINE DREAM broke up quickly, but early members
including drummer KLAUS SCHULZE & experimentalist CONRAD SCHNITZLER, went on to successful solo careers. EDGAR
FROESE, CHRISTOPHER FRANKE and PETER BAUMANN carried on the group — the beginning of many incarnations including
the current one with EDGAR FROESE's son! 
  
  KLAUS SCHULZE figured he could play synthesizers as well as
drums, and in 1972 began an astonishingly productive career that continues to this day with solo and collaborative
appearances on almost 700 recordings! 
  
  TANGERINE DREAM signed with a major label, and — along with
KRAFTWERK, who created witty electronic dance music that was a progenitor of Disco and Techno — became a major
touring group, with multimedia concerts to rival PINK FLOYD, as well as popular film music composers. 
  
 
Other German musicians took the new possibilities of electronic sound in their own directions — from pop to
classical. The full story is far too complex to cover here. It includes:
  o the "Berlin School" —
mainly rhythm-based synthesizer music from TANGERINE DREAM, KLAUS SCHULZE, ASHRA, MICHAEL HOENIG and many others
 
o the Munich group — acoustic as well as electronic, and more spiritually oriented, with world music
elements — including POPOL VUH, EBERHARD SCHOENER, PETER MICHAEL HAMEL & BETWEEN, and DEUTER;
  o
Experimental and proto-industrial composers, like KLUSTER, FAUST, and CONNIE SCHNITZLER;
  o Progressive rock
groups like ELOY, JANE, GURU-GURU, CAN, and AMON DUUL;
  o and an arty mix of rock & minimalist
elements by CLUSTER, NEU, and HARMONIA. 
  
  For a complete survey, see MARK PRENDERGAST'S excellent
book, THE AMBIENT CENTURY.
  
   						

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